Sherlock Holmes. Just that name conjures up a lean man in cape and deerstalker tracking through the moors or pacing 221B Baker Street over a multi-pipe problem. Holmes long ago achieved literary escape velocity, transcending Victorian London, crime fiction and even Conan Doyle. First sleuthing upon the page in 1887’s A Study in Scarlet, these days scads of pastiches and reinterpretations are published every year. Holmes movies, television series, theatre productions. Holmes societies across the world. The game has never been more afoot.
What about him has such lasting magic?
Last year I found myself immersed in that question, tasked at Continue reading “The Case of the Conjuror’s Trick”
One fated French night in 1700 or thereabouts, so the story goes, Dom Pierre Pérignon was stalking his Hautevillers cellar, turning his bottles, and the great monk decided then was as good a time as any to have a taste. And what he tasted went down crisp and bright and bubbly, the first modern champagne. and he cried out, his voice echoing through the chalk caverns, “Brothers, come quickly! I am drinking the stars!”
A great story, if total hokum. Yep, it never happened, but Continue reading “Behind: “What Settles After the Stars””
I’m delighted to have a guest post over at The First Two Pages, a blog run by writer extraordinaire B.K. Stevens. Every week a novelist or story writer takes apart an opening they find instructive: the fits and starts of crafting it, how the hook became sharp, etc. In my case, I’ve taken apart the opening of my romp “Two Bad Hamiltons and a Hirsute Jackson,” recently in AHMM, and I go through how with short fiction two pages can be the entire set-up and beyond. It was years in finding what ultimately worked.
Go check it out if you liked Vi’s story or find the idea intriguing. And if you click over there, check out the many great other self-analyses of writer’s journey to finished product.
Thanks for having me over, Bonnie!
It was my great honor last night to talk fiction with the wonderful Sherry Welton Wilds as she debuts her new show The Method and the Muse. What a great (and short!) session, and I hope those who listen get value for their time.
If I remember correctly, and this would be a new development, here’s some elaboration and errata:
– Sherry mentioned “First Rodeo,” published not so long ago at Kings River Life. I get more into the story and character here.
– I read from an oldie but goodie “Dark Days for the Professor.” I get more into the story here. And here’s the bit about deleting all those early words.
– My bit about setting up a story as akin to dealing the cards was paraphrased from an Ann Patchett talk. The image nails how to open directly or through foreshadowing when storytelling.
– I was asked about Poe’s Unity of Effect. It’s a thing, y’all.
– And remember, short stories get read in one sitting. They are Ending Delivery Systems, with the various elements building to deliver the Resonant Moment.
– Yes, I am all about Dashiell Hammett’s The Maltese Falcon.