In Twelfth Night Shakespeare dubbed music the food of love. Beethoven considered it a higher revelation than wisdom or philosophy. Nietzsche said without music, life would be a mistake. To him, and he wasn’t the sunniest of guys, music exalted the soul. Little wonder few topics get writers going–or even squabbling–like how music fits into wordsmithing time.
What style or go-to artist do you put on? Crank it up or keep it down? Radio serendipity or playlist certainty? Or do you embrace the zen of silence? Hardly idle questions. Among author folk, music can be as essential as pen and paper.
A confession: Continue reading Music Speaks, No Mistake
I have written Communist go-go dancers. Not in a comedy, either. Technically, they were recruits among honors-level university students, but they broke into go-go dancing as the Party’s party night deepened and the drinks mounted. The setting was early ’70s Budapest, and the Happiest Barracks in the Iron Curtain reveled in its post-crackdown decay.
Our POV Helena takes it from here:
For the next hour I danced with every man who asked and every man who cut in, a parade of faceless political officers with tobacco and vodka on their breaths. Some were bolder than others, but none too bold. When the folk music stopped and the newer records began, we changed to whatever fast dance went with the song. I twisted, I ponied, I did the loco-motion, I thrilled at the heat of it all, and when the men tired the other girls and I go-go danced for them.
It was after the go-go dancing that Typhon approached. He brought with him two coupes of sparkling wine.
“You must be thirsty,” he said over The Byrds. He reached out the wine as if completely certain of my accepting, kissed my offered hand, and said, “The Socialist Workers’ Party appreciates your contributions to dance.”
–“Sparks to the Bear’s Hide” (MWA’s Ice Cold, Grand Central, 2014)
Now, I have no idea if such recruiting events ever devolved into Marxist Laugh-In cutaways. Mine did. For good reason: Continue reading I Have No Idea if There Were Communist Go-Go Parties (or, Balancing Research with Creative License)
There are rules to the Tomatina.
In their great wisdom, the Spanish have come to publish guidelines for their annual by-the-thousands tomato fight. No whipping soaked tee-shirts as weapons, for one. No throwing shoes or anything of beanball substance. Just squished tomatoes. Those you can throw at anyone in sight. For one hour.
It takes place in Buñol, a small town in Valencia. At 11 a.m. one day each August, 30,000 people–stop and think about that number–crowd into the old town’s cramped plaza and let fly with 145,000kg of squished tomatoes. 145 metric tons. Squished tomatoes, remember, because a whole tomato flung at close quarters is a concussion inbound, if not pushing the non-deadly edge of force. Tomato trucks rumble by, dumping ammo while the palpable hits mount and gutters fill.
At one hour, the horn blows. 30,000 people stop, heart-pumping, sticky, that last unthrown tomato squished in hand. One hour. At 11:59, slopping tomato pulp at someone’s kisser is good fun. At 12:01, it’s assault. At 12:01, you and your fellow combatants Continue reading Behind the Short Story: “La Tomatina”
‘Let the jury consider their verdict,’ the King said, for about the twentieth time that day.
‘No, no!’ said the Queen. ‘Sentence first – verdict afterwards.’
‘Stuff and nonsense!’ said Alice loudly. ‘The idea of having the sentence first!’
‘Hold your tongue!’ said the Queen, turning purple.
‘I won’t!’ said Alice.
‘Off with her head!’ the Queen shouted at the top of her voice.
–Lewis Carroll, Alice’s Adventures in Wonderland
You wouldn’t normally associate the Queen of Hearts with thoughtfulness, but Her Mad Majesty is on to something here, at least as it speaks to writers. Our first and most basic task is conceiving, birthing, nurturing–wait for it–a sentence. The noun plus verb kind.
And as Alice found Wonderland, sentence construction isn’t easy. The artiste in you wants Continue reading Sentence First, Verdict Afterwards