Mangeot of the Nordlands is my floppy-hat wearing, perma-addled, globe-trekking alter ego. His is a thirst for the strange marrow of new lands and their cocktails. He is well-meaning and gets to live my best life.
We make the Ninth Parallel at Costa Rica. It is the rainy season, and by afternoon our party is drinking Rhum cocteles. A fine fellow named Errol arranges the bar service and sees to our baggage. His ceviche is good and true and his bar is clean but for the grackles who angle to steal my cassava chips. From the valley a macaw cries the invitation to press onward. “When does the rain break?” I ask Errol. With great solemnity he studies the misted clouds flowing over the mountains from the inland forest. “December,” he says.
The rains do not abate. Neither do the raccoons. From dusk through the night, the beasts probe the latches and doors of our lodgings. Randolfo says we must guard our luncheon and the mini-bar from their thieving paws. We place locks and a guard and wait as the rains rain steady and true. Prevented from inland explorations, we catalogue the base camp’s various species of iguana and Assorted Lizardry and coconuts and also the Rhum varieties. Randolfo serves me a Rhum drink of fiendish red made apparently from Continue reading “Mangeot Not of the Guanacaste, 2018”
I just have to see her.
How “Star of Zoe” first got going, well, it was without Zoe. Not technically, I mean. I was riffing on this idea, this phrase: I just have to see her. So right there comes a She Who Must Be Seen. A proto-Zoe in the mix. My first riff, though, opened with our point-of-view “I” in the equation, our man-on-a-mission. Jimmy.
He’s banging at a door, desperate. In love, still in love. Being denied entry. What door? Who’s blocking it? Didn’t know, but questions like that are why we riff.
I just have to see her.
Continue reading “Behind the Story: “Star of Zoe””
I like writing about problems. As in, you know, their problematic nature. It’s the stuff of a great story. And I had this idea for a writing challenge: take one self-inflicted problem and make every next sentence add a specific complication. Why, transgression zero’s blowback would mount and mount and surely hit a sublime ridiculousness. In the end that’s what crime and punishment often are, aren’t they? Sublimely human things we did to ourselves.
To be clear, I’m not meaning that each next sentence would deepen a plot element or characterization (or both). Such writing craft proven over the millennia would’ve made too much sense. No, I would daisy-chain every next sentence with a direct new complication to or consequence of what came before.
The set-up: A small town mayor (eventually our Tori) embezzled taxpayer money as a down payment on snatched-up Panhandle scrubland she believed would skyrocket in value. There’s a water management project set for state funding that will keep her land high-and-dry from the rising Gulf levels. Well, state revenue shortfalls nixed discretionary waterway plans. Open then to Tori in her swamp and hatching a skunk ape craze bound to draw in beaucoup sun seekers and cryptozoologists. She’ll flip that land to resort developers yet. Tori, though, can barely keep her half-brother in the shaggy costume (she’s in charge of whipping up media interest), and mud and snakes and owls abound, and her local paper contact wants to investigate the town finances.
Problems stopped the works. Not Tori’s. Mine. Oh, I Continue reading “Behind the Story: “Problems Aren’t Stop Signs””
I don’t much like the beach. Sure, a beach all sounds so wonderful: the surf, the sand, the sun. And yet, that surf is bracing cold ten months a year, the other months being hurricane season, and the salt water leaves this weird skin film and also you can’t rule out jellyfish. That sand is a plague forever dug out of my ears and other delicate places. Then there’s the sun. The sun is what gets me, a pure broil on my Irish skin. It’s SPF bazillion or extra crispy for me. Then figure in the crowds. No, I don’t much like the beach.
But I absolutely need it.
Water for us in Nashville is another creek that we’re lousy with, or it’s a dammed-up river, thank you Mr. TVA. Big water, say like ocean big, means
Continue reading “Beach Boy”