Lesson one on writing a spider story: Never write a spider story.
Don’t do it. It’s been done. Since mythological times. Spider women. Tangled webs we weave. Innate fears and phobias. The built-in burdens alone will wrap poor writer you in literary silk. See what happens with spider stories? The metaphors have started already.
Lesson two: If you’re going to write a spider story anyway, have a plan.
A better one than I did, when in 2013 I started on something called “Orb Weaving in Wonderland.” There was this professor guy Nick, and he was using a field trip in the French Camargue to romance the fetching young Rachel. The story, soon retitled “Nephila Rachelis,” had it all, if all means an uncentered blech of sci-fi, Western, morality play, and mixed message.
Lesson three: If you’ve started a spider story, know when to de-tangle and walk away.
The thing was, now “Nephila Cassandris” (Rachel/arachnid, too on-the-nose, that metaphor problem again) had Continue reading “Behind the Story: “Queen and Country””