Cue Scarlett O’Hara shambling beaten and ravenous into what’s left of Tara’s gardens. She roots in the dirt for anything, anything to eat. The music swells. Scarlett digs up a radish and tries to devour it raw. She wretches, gathers herself, and declares to a fiery sky that she’ll never go hungry again.
Like other movies turned pop culture shorthand, Gone with the Wind makes common language to talk story mechanics, thank you Margaret Mitchell and Victor Fleming. We all know Scarlett and her arc, how this moment cues her shift in motivations come Act Two. We remember her Big Declaration as alive with Continue reading “Setting Ablaze”